Windows. They act as a method of sight into other peoples’ lives. While a man may appear to act a certain way in the outside world, behind a window he lets himself turn to his real self. News fabricators especially hide themselves from public view until caught on the spot. Ex-journalist Stephen Glass must despise windows, because he certainly had enough blinds.
Journalism is integrity, because without it journalism is another being entirely. Now for fabrication… well that is what society calls storytelling. The film Shattered Glass portrays Glass, and his experience with magazine The New Republic. According to a 60 Minutes article I found online, the basic plot of Shattered Glass appears accurate to true events. This movie is a superior example of how the art of journalism needs careful attention, and that fabricators should open up their windows to let in fresh air.
Glass, now living with an open window, worked for The New Republic. Eventually he was fired, and for a good reason. In the following quote, Glass speaks in the 60 Minutes interview upon what he has done:
“I knew how the system worked. And I made it so that my stories could get through. I invented fake notes. I later would invent a series of voice mailboxes and business cards. I invented newsletters. I invented a website. For every lie I told in the magazine, there was a series of lies behind that lie that I told– in order to get it to be published.”
For the sake of journalistic integrity, newspapers and magazines must keep up fact checking, and in addition adding a whole other level of peer review. If a journalist is willing to cover up inaccuracies to great lengths, then the media can lever let go a grasp of truth.
Glass was never caught for making up his stories until an online version of Forbes noticed one story about hackers in particular did not seem solid. In Shattered Glass, the online crew of Forbes researched fake companies included in The New Republic article. They called telephone numbers to non-existing people that Glass supplied. Forbes investigated the foundation of Glass’s original article, only to find no support. Maybe that is what every media outlet needs, a collaborating newsmaker to double check news integrity.
Stephen Glass did write entertaining fiction. He was just writing on the wrong platform. Society deserves the right to accurate media information, and Glass was simply not doing his part. Journalists purely interested in fabrication should stick to writing short stories and novels. Otherwise, they should avoid Glass’s example and make sure their windows’ shading prevents the sun from shining through.